Giorgio Vigna experimented with engraving techniques in the workshop of the Calcografia Nazionale in Rome. In 1992, the Luigi Pecci Contemporary Art Museum of Prato dedicated an exhibition to his work, which is also displayed in many international contemporary art galleries and jewelery galleries. Later he expanded his research on glass. For Venini he created and designed the Sasso, Fonte, and Stilla vases, a jewelry collection entitled Talismani, and Fiori d'acqua, a limited edition for the Millennium III collection, the limited edition Fuochi d'argento. Among the most recent series are the Ali, Bulicanti, Fuochi iridati, and Fuochi d'acqua. Vigna's artistic course winds around shapes and materials that add resonance to his power of imagination with elements from nature in its primary and primordial aspects. Geological adventures of earth and water, of fire and wind, are at the base of his research, where the natural is combined with the artificial, the simple with the fancy, elements of common sense with outrageous daydreams. He feels comfortable creating on the unusual borderline between real and imaginary worlds. His creations contain the attraction of objects that inhabit dreams - familiar yet alien at the same time. In 2002, Giorgio Vigna's Arte da indossare: gioielli d'artista collection was shown at the Museo Nazionale di Arte Decorativa in Buenos Aires. In 2003, the Fuochi d'acqua, unique works for Venini, were first presented at the Museo Correr in Venice and then at the Museo Villa Pignatelli in Naples.